18 Mar — 07 April
02 Mar — 10 Mar
04 Feb — 23 Feb
15 Jan — 20 Jan
11 Dec — 24 Dec
12 November — 26 November
23 October — 08 November
05 October — 12 October
27 September — 1 October
04 September — 13 September
20 June — 5 July
7 May - 1 June
7 May — 1 June
30 April — 3 May
28 January — 1 February
8 — 15 March
16 January — 28 December
6 — 21 December
25 Nov — 1 Dec
About

VIE is a place where art, fashion, architecture and design converge. Located in the heart of Paris, VIE is a gallery and studio workspace partnering with trailblazers, thinkers, artists, and creatives to curate experiences and foster these diverse networks to gather and multiply.

VIE is where people, ideas, and creativity collide. It’s a place for those who seek more from life—more connection, expression and meaning.
VIE Projects and Studio span 320 m², with the gallery space on Boulevard Beaumarchais covering 80 m², which can be expanded to 160 m² along rue des Tournelles, stretching across an entire Parisian city block. An additional 160 m² is dedicated to a workspace fostering experimentation across all creative disciplines. Together, these two spaces represent the dual facets of a singular vision devoted to the arts and innovation.

VIE is an initiative of Michelle Lu, founder of media platform Semaine, and architect Julien De Smedt.

Location

55 bd Beaumarchais, 75003 Paris 66 rue des Tournelles, 75003 Paris

Contact
Curated by Malene Wagner
Curated by Malene Wagner

MODERN JAPANESE PRINTMAKERS: POST-WAR TO NOW

Noda Tetsuya (1940—), Diary: Aug. 10th ‘09, Serigraph & Woodblock print, 1972

Ado (1936—1995), Serigraph Prints, 1971—72

Collected and curated by Danish Art Historian Malene Wagner, the exhibition is based on her newly published book Modern Japanese Printmakers: New Waves and Eruptions (Prestel Publishing) that draws on first-hand interviews and extensive research. It is the story of 44 modern Japanese artists who form a significant part of the long history of Japanese printmaking. A few were active at the beginning of the twentieth century, some worked leading up to the Second World War, while the majority took the print medium into the post-war era.

This exhibition takes 10 of those 44 artists and explores their place within the wider history of modern Japanese printmaking from the post-war period to the present. It showcases a rich variety of styles, techniques, and motifs, from subtle, contemplative works to bold, experimental prints, highlighting the breadth of innovation within the medium. Equally important are the artists’ individual stories—their inspirations, approaches, and personal connections to the Japanese print tradition—which bring depth and context to the works on display. Together, the exhibition offers a vivid snapshot of how post-war artists have shaped and continue to influence the evolution of Japanese printmaking.

Fukita Fumiaki (1926—), Pearl & Star Constellation, Woodblock prints, 1970 & 1974

Going beyond Hokusai and the Japanese prints of the Edo period (1603-1868) that greatly influenced the earlier generation of Western artists like Monet, Toulouse-Lautrec and Picasso, the modern Japanese printmakers defined a period of profound artistic invention gaining internal acclaim in their lifetime at the Venice and São Paolo biennials, as well as in exhibitions at MoMA, Musée d’Art Moderne de Paris and LACMA.

Ay-O (1931—), Finger Box, Serigraph, 1974

MALENE WAGNER is a Danish Art Historian specialising in Japanese art and has worked with museums including The Ateneum (Helsinki), National Gallery of Denmark (Copenhagen) and MUDEC (Milan). She is also a contributing writer with contributions to several publications such as Stillness (Gestalten), Waraku Magazine, Kinfolk, Ark Journal, Apollo Magazine and Japanomania in the Nordic Countries (Yale University Press). Her book Modern Japanese Printmakers: New Waves and Eruptions was published in November 2025 as the first of its kind since 1975. Wagner has run her own art consultancy firm, Tiger Tanuki since 2014. To see more of her work, visit her website or Instagram. @tigertanuki_japaneseart

Exhibition curated by Malene Wagner